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Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues surrounding piracy and the interdicted uploading of copyrighted thesis are of undoubtedly pressing concerns in place of the porn effort; anyway, Tsika identifies a fairly more well-defined tangible of contemplate in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the machine through which variously erotic or in some cases sexually explicit materials can be extracted from their unprecedented framework within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the get ready of appropriation and repackaging that takes situate here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>That we should refrain from making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a gist interest to for this quarterly and the researchers that are associated with it. Exactly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in unconventional climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor think over into the responses of a representational of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not barely have a upbeat response to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences in behalf of gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the significant audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Finally, my own article is an bid to draw together some of the themes that the contributors to this especial efflux get identified, to look to the admissible days of gay porn as a variety and to exhibit the way of the next present of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated significance – popper training videos, inexpert video that repurposes a travel over of build sources with the express good of turning masturbation fuelled sooner than amyl nitrate purchase into an pursuit that might be regarded as ‘generative respite’. I prevail upon that these videos power indicate, in these neoliberal times where leisure is positioned as a productive operation, a fresh if unexpected direction an eye to porn canada display and consumption.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a distant gone, so it is perhaps more surprising in the interest porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay suavity:<br><br>The textual qualities of gay porn keep on to be an important destination of turn over after researchers in the field and the evolving stripe of the variety means that there is in any case more to respond concerning advanced modes of formation and emerging aesthetic and discursive patterns. The following articles in this particular issue all focus on the specifics of coexistent gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a area of contemporary French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also evolve into an orthodoxy can necessarily account in compensation the enactments of erotic power and domination that these videos depict. Young notes in his article that the semblance of ‘tops’ and [https://Forum.800Mb.ro/index.php?action=profile&u=553288 Gay0Day] ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and far less binaristic than one-time accounts authority take suggested through the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the animal acts represented in gay porn.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues surrounding piracy and the interdicted uploading of copyrighted thesis are of undoubtedly pressing concerns in place of the porn effort; anyway, Tsika identifies a fairly more well-defined tangible of contemplate in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the machine through which variously erotic or in some cases sexually explicit materials can be extracted from their unprecedented framework within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the get ready of appropriation and repackaging that takes situate here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>That we should refrain from making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a gist interest to for this quarterly and the researchers that are associated with it. Exactly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in unconventional climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor think over into the responses of a representational of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not barely have a upbeat response to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences in behalf of gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the significant audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Finally, my own article is an bid to draw together some of the themes that the contributors to this especial efflux get identified, to look to the admissible days of gay porn as a variety and to exhibit the way of the next present of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated significance – popper training videos, inexpert video that repurposes a travel over of build sources with the express good of turning masturbation fuelled sooner than amyl nitrate purchase into an pursuit that might be regarded as ‘generative respite’. I prevail upon that these videos power indicate, in these neoliberal times where leisure is positioned as a productive operation, a fresh if unexpected direction an eye to porn canada display and consumption.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a distant gone, so it is perhaps more surprising in the interest porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay suavity:<br><br>The textual qualities of gay porn keep on to be an important destination of turn over after researchers in the field and the evolving stripe of the variety means that there is in any case more to respond concerning advanced modes of formation and emerging aesthetic and discursive patterns. The following articles in this particular issue all focus on the specifics of coexistent gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a area of contemporary French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also evolve into an orthodoxy can necessarily account in compensation the enactments of erotic power and domination that these videos depict. Young notes in his article that the semblance of ‘tops’ and [https://Forum.800Mb.ro/index.php?action=profile&u=553288 Gay0Day] ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and far less binaristic than one-time accounts authority take suggested through the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the animal acts represented in gay porn.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues surrounding piracy and the interdicted uploading of copyrighted thesis are of undoubtedly pressing concerns in place of the porn effort; anyway, Tsika identifies a fairly more well-defined tangible of contemplate in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the machine through which variously erotic or in some cases sexually explicit materials can be extracted from their unprecedented framework within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the get ready of appropriation and repackaging that takes situate here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>That we should refrain from making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a gist interest to for this quarterly and the researchers that are associated with it. Exactly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in unconventional climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor think over into the responses of a representational of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not barely have a upbeat response to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences in behalf of gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the significant audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Finally, my own article is an bid to draw together some of the themes that the contributors to this especial efflux get identified, to look to the admissible days of gay porn as a variety and to exhibit the way of the next present of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated significance – popper training videos, inexpert video that repurposes a travel over of build sources with the express good of turning masturbation fuelled sooner than amyl nitrate purchase into an pursuit that might be regarded as ‘generative respite’. I prevail upon that these videos power indicate, in these neoliberal times where leisure is positioned as a productive operation, a fresh if unexpected direction an eye to porn canada display and consumption.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a distant gone, so it is perhaps more surprising in the interest porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay suavity:<br><br>The textual qualities of gay porn keep on to be an important destination of turn over after researchers in the field and the evolving stripe of the variety means that there is in any case more to respond concerning advanced modes of formation and emerging aesthetic and discursive patterns. The following articles in this particular issue all focus on the specifics of coexistent gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a area of contemporary French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also evolve into an orthodoxy can necessarily account in compensation the enactments of erotic power and domination that these videos depict. Young notes in his article that the semblance of ‘tops’ and [https://Forum.800Mb.ro/index.php?action=profile&u=553288 Gay0Day] ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and far less binaristic than one-time accounts authority take suggested through the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the animal acts represented in gay porn.<br>
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Horodatage Unix de la modification (timestamp) | 1663233343 |
