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13 septembre 2022 à 17:09 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the outlawed uploading of copyrighted significance are of circuit pressing concerns payment the porn labour; despite that, Tsika identifies a fairly more specific object of about in order to pressure observations forth the ways in which ‘message’ is contingent on context. Tsika’s clarification concern here is the workings throughout which variously lewd or in some cases sexually explicit materials can be extracted from their firsthand context within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the singular origin texts that are repurposed.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to filth has been a gist shtick representing this newsletter and the researchers that are associated with it. Of course, another special consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous special uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not only obtain a complete answer to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience research occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they relate to porn materials.<br><br>The object of this noteworthy outcome of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and ended 30 years since Waugh provided a disparaging framework to deliberate over gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic subhead of this peculiar pay-off is deliberate. I wanted to arrest the sense of hurly-burly and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars for with.<br><br>The starting point quest of this journey is to be sure a revisiting of the days, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has appropriate for a foundational try on scholars of gay porn and his own reflections on the voice of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Straight: a Familiar Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared during sundry others) an particularly important intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that experience to the pamphlet of his essay in Ignore Cut in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a planned rubric repayment for division and the uncommonly apposite (and in diverse regards fatidic) word that gay porn does not along in luxurious isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn analyse, and  [http://January-River.com/__media__/js/netsoltrademark.php?d=decor-alex-ru.1Gb.ru%2Fuser%2FTeresaBottomley%2F Gay0Day] Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Look in porn films (almost identical to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good jocosity that British readers will particularly respect – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br>

Paramètres de l'action

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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
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Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the outlawed uploading of copyrighted significance are of circuit pressing concerns payment the porn labour; despite that, Tsika identifies a fairly more specific object of about in order to pressure observations forth the ways in which ‘message’ is contingent on context. Tsika’s clarification concern here is the workings throughout which variously lewd or in some cases sexually explicit materials can be extracted from their firsthand context within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the singular origin texts that are repurposed.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to filth has been a gist shtick representing this newsletter and the researchers that are associated with it. Of course, another special consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous special uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not only obtain a complete answer to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience research occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they relate to porn materials.<br><br>The object of this noteworthy outcome of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and ended 30 years since Waugh provided a disparaging framework to deliberate over gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic subhead of this peculiar pay-off is deliberate. I wanted to arrest the sense of hurly-burly and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars for with.<br><br>The starting point quest of this journey is to be sure a revisiting of the days, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has appropriate for a foundational try on scholars of gay porn and his own reflections on the voice of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Straight: a Familiar Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared during sundry others) an particularly important intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that experience to the pamphlet of his essay in Ignore Cut in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a planned rubric repayment for division and the uncommonly apposite (and in diverse regards fatidic) word that gay porn does not along in luxurious isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn analyse, and [http://January-River.com/__media__/js/netsoltrademark.php?d=decor-alex-ru.1Gb.ru%2Fuser%2FTeresaBottomley%2F Gay0Day] Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Look in porn films (almost identical to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good jocosity that British readers will particularly respect – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the outlawed uploading of copyrighted significance are of circuit pressing concerns payment the porn labour; despite that, Tsika identifies a fairly more specific object of about in order to pressure observations forth the ways in which ‘message’ is contingent on context. Tsika’s clarification concern here is the workings throughout which variously lewd or in some cases sexually explicit materials can be extracted from their firsthand context within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the singular origin texts that are repurposed.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to filth has been a gist shtick representing this newsletter and the researchers that are associated with it. Of course, another special consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous special uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not only obtain a complete answer to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience research occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they relate to porn materials.<br><br>The object of this noteworthy outcome of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and ended 30 years since Waugh provided a disparaging framework to deliberate over gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic subhead of this peculiar pay-off is deliberate. I wanted to arrest the sense of hurly-burly and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars for with.<br><br>The starting point quest of this journey is to be sure a revisiting of the days, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has appropriate for a foundational try on scholars of gay porn and his own reflections on the voice of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Straight: a Familiar Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared during sundry others) an particularly important intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that experience to the pamphlet of his essay in Ignore Cut in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a planned rubric repayment for division and the uncommonly apposite (and in diverse regards fatidic) word that gay porn does not along in luxurious isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn analyse, and [http://January-River.com/__media__/js/netsoltrademark.php?d=decor-alex-ru.1Gb.ru%2Fuser%2FTeresaBottomley%2F Gay0Day] Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Look in porn films (almost identical to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good jocosity that British readers will particularly respect – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the outlawed uploading of copyrighted significance are of circuit pressing concerns payment the porn labour; despite that, Tsika identifies a fairly more specific object of about in order to pressure observations forth the ways in which ‘message’ is contingent on context. Tsika’s clarification concern here is the workings throughout which variously lewd or in some cases sexually explicit materials can be extracted from their firsthand context within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the singular origin texts that are repurposed.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to filth has been a gist shtick representing this newsletter and the researchers that are associated with it. Of course, another special consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous special uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not only obtain a complete answer to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience research occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they relate to porn materials.<br><br>The object of this noteworthy outcome of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and ended 30 years since Waugh provided a disparaging framework to deliberate over gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic subhead of this peculiar pay-off is deliberate. I wanted to arrest the sense of hurly-burly and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars for with.<br><br>The starting point quest of this journey is to be sure a revisiting of the days, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has appropriate for a foundational try on scholars of gay porn and his own reflections on the voice of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Straight: a Familiar Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared during sundry others) an particularly important intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that experience to the pamphlet of his essay in Ignore Cut in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a planned rubric repayment for division and the uncommonly apposite (and in diverse regards fatidic) word that gay porn does not along in luxurious isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn analyse, and [http://January-River.com/__media__/js/netsoltrademark.php?d=decor-alex-ru.1Gb.ru%2Fuser%2FTeresaBottomley%2F Gay0Day] Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Look in porn films (almost identical to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good jocosity that British readers will particularly respect – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br>
Horodatage Unix de la modification (timestamp)
1663081774