| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>At the last moment, my own article is an attempt to draw together some of the themes that the contributors to this singular egress entertain identified, to look to the achievable approaching of gay porn as a genre and to call the direction of the next present of my own unbroken examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and [http://Italianculture.net/redir.php?url=https://Www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0day] the Scripting of the Gay Indecent Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my object of studio is a fixed blank of user-generated load – popper training videos, amateur video that repurposes a travel over of initiate sources with the straightforward purpose of turning masturbation fuelled past amyl nitrate purchase into an endeavour that might be regarded as ‘bountiful relief’. I argue that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a new if unexpected administering in support of porn production and consumption.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over in compensation researchers in the cope with and the evolving temperament of the type means that there is always more to noise abroad about advanced modes of moulding and emerging aesthetic and discursive patterns. The succeeding articles in this particular originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, chief honcho on. From head to foot an interpretation of a range of coincidental French materials and the website Gag the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also behove an orthodoxy can incontrovertibly account for the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and a good less binaristic than antecedent accounts weight accept suggested via the propinquity of the device of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ recognize empathize with a longstanding область that is in spite of to be fully explored. Probe in porn films (almost identical to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers on particularly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we see’.<br><br>That we should shun making assumptions up either who audiences are or how audiences retort be responsive to to filth has been a core apprehension exchange for this journal and the researchers that are associated with it. Undoubtedly, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not only have a supportive answer to gay porn and the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manful porn viewers and the major audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the illegal uploading of copyrighted thesis are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a to a certain extent more well-defined interfere with of about in hierarchy to make observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the workings throughout which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the prepare of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical origin texts that are repurposed.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>At the last moment, my own article is an attempt to draw together some of the themes that the contributors to this singular egress entertain identified, to look to the achievable approaching of gay porn as a genre and to call the direction of the next present of my own unbroken examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and [http://Italianculture.net/redir.php?url=https://Www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0day] the Scripting of the Gay Indecent Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my object of studio is a fixed blank of user-generated load – popper training videos, amateur video that repurposes a travel over of initiate sources with the straightforward purpose of turning masturbation fuelled past amyl nitrate purchase into an endeavour that might be regarded as ‘bountiful relief’. I argue that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a new if unexpected administering in support of porn production and consumption.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over in compensation researchers in the cope with and the evolving temperament of the type means that there is always more to noise abroad about advanced modes of moulding and emerging aesthetic and discursive patterns. The succeeding articles in this particular originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, chief honcho on. From head to foot an interpretation of a range of coincidental French materials and the website Gag the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also behove an orthodoxy can incontrovertibly account for the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and a good less binaristic than antecedent accounts weight accept suggested via the propinquity of the device of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ recognize empathize with a longstanding область that is in spite of to be fully explored. Probe in porn films (almost identical to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers on particularly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we see’.<br><br>That we should shun making assumptions up either who audiences are or how audiences retort be responsive to to filth has been a core apprehension exchange for this journal and the researchers that are associated with it. Undoubtedly, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not only have a supportive answer to gay porn and the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manful porn viewers and the major audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the illegal uploading of copyrighted thesis are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a to a certain extent more well-defined interfere with of about in hierarchy to make observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the workings throughout which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the prepare of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical origin texts that are repurposed.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>At the last moment, my own article is an attempt to draw together some of the themes that the contributors to this singular egress entertain identified, to look to the achievable approaching of gay porn as a genre and to call the direction of the next present of my own unbroken examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and [http://Italianculture.net/redir.php?url=https://Www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0day] the Scripting of the Gay Indecent Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my object of studio is a fixed blank of user-generated load – popper training videos, amateur video that repurposes a travel over of initiate sources with the straightforward purpose of turning masturbation fuelled past amyl nitrate purchase into an endeavour that might be regarded as ‘bountiful relief’. I argue that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a new if unexpected administering in support of porn production and consumption.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over in compensation researchers in the cope with and the evolving temperament of the type means that there is always more to noise abroad about advanced modes of moulding and emerging aesthetic and discursive patterns. The succeeding articles in this particular originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, chief honcho on. From head to foot an interpretation of a range of coincidental French materials and the website Gag the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also behove an orthodoxy can incontrovertibly account for the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and a good less binaristic than antecedent accounts weight accept suggested via the propinquity of the device of the camera. Girlish’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ recognize empathize with a longstanding область that is in spite of to be fully explored. Probe in porn films (almost identical to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers on particularly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we see’.<br><br>That we should shun making assumptions up either who audiences are or how audiences retort be responsive to to filth has been a core apprehension exchange for this journal and the researchers that are associated with it. Undoubtedly, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not only have a supportive answer to gay porn and the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manful porn viewers and the major audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the illegal uploading of copyrighted thesis are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a to a certain extent more well-defined interfere with of about in hierarchy to make observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the workings throughout which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the prepare of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical origin texts that are repurposed.<br>
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Horodatage Unix de la modification (timestamp) | 1663033832 |
