| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The starting go out of one's way to looking for this route is necessarily a revisiting of the last, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the voice of the field. As many times, his cleverness and acuity is admirable (his description of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every experience I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Exclusive Revisit’ that his effort was sooner than no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Upright’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an primarily important intervention. In this supplemental article, Waugh describes the introduce of communal and cultural circumstances that lead to the publication of his strive in Jump Cut in 1985. In demanding this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric in behalf of judgement and the uncommonly apposite (and in uncountable regards divinatory) criticism that gay porn does not along in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>The textual qualities of gay porn keep on to be an important goal of study for researchers in the cope with and the evolving complexion of the character means that there is in any case more to say there late-model modes of production and emerging aesthetic and windy patterns. The following articles in this special issue all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Auspices of an study of a grade of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor [http://11Inches.net/__media__/js/netsoltrademark.php?d=www.sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] the rubric of ‘comfort’ that has also become an orthodoxy can surely account in compensation the enactments of progenitive power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and great less binaristic than antecedent accounts might accept suggested through the propinquity of the machine of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a insides interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another different issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific issue, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a flier think over into the responses of a taste of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively have a supportive return to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the significant audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The bearing here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a distant finished, so it is it is possible that more surprising seeking porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Smut: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is moreover to be fully explored. Look in porn films (similar to a lesser amplitude to performance) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good raillery that British readers on particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>The starting go out of one's way to looking for this route is necessarily a revisiting of the last, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the voice of the field. As many times, his cleverness and acuity is admirable (his description of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every experience I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Exclusive Revisit’ that his effort was sooner than no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Upright’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an primarily important intervention. In this supplemental article, Waugh describes the introduce of communal and cultural circumstances that lead to the publication of his strive in Jump Cut in 1985. In demanding this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric in behalf of judgement and the uncommonly apposite (and in uncountable regards divinatory) criticism that gay porn does not along in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>The textual qualities of gay porn keep on to be an important goal of study for researchers in the cope with and the evolving complexion of the character means that there is in any case more to say there late-model modes of production and emerging aesthetic and windy patterns. The following articles in this special issue all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Auspices of an study of a grade of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor [http://11Inches.net/__media__/js/netsoltrademark.php?d=www.sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] the rubric of ‘comfort’ that has also become an orthodoxy can surely account in compensation the enactments of progenitive power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and great less binaristic than antecedent accounts might accept suggested through the propinquity of the machine of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a insides interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another different issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific issue, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a flier think over into the responses of a taste of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively have a supportive return to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the significant audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The bearing here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a distant finished, so it is it is possible that more surprising seeking porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Smut: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is moreover to be fully explored. Look in porn films (similar to a lesser amplitude to performance) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good raillery that British readers on particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The starting go out of one's way to looking for this route is necessarily a revisiting of the last, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the voice of the field. As many times, his cleverness and acuity is admirable (his description of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every experience I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Exclusive Revisit’ that his effort was sooner than no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Upright’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an primarily important intervention. In this supplemental article, Waugh describes the introduce of communal and cultural circumstances that lead to the publication of his strive in Jump Cut in 1985. In demanding this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric in behalf of judgement and the uncommonly apposite (and in uncountable regards divinatory) criticism that gay porn does not along in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>The textual qualities of gay porn keep on to be an important goal of study for researchers in the cope with and the evolving complexion of the character means that there is in any case more to say there late-model modes of production and emerging aesthetic and windy patterns. The following articles in this special issue all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Auspices of an study of a grade of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized by means of anti-porn feminism nor [http://11Inches.net/__media__/js/netsoltrademark.php?d=www.sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] the rubric of ‘comfort’ that has also become an orthodoxy can surely account in compensation the enactments of progenitive power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and great less binaristic than antecedent accounts might accept suggested through the propinquity of the machine of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a insides interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another different issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific issue, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a flier think over into the responses of a taste of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively have a supportive return to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the significant audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The bearing here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a distant finished, so it is it is possible that more surprising seeking porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Smut: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is moreover to be fully explored. Look in porn films (similar to a lesser amplitude to performance) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good raillery that British readers on particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br>
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Horodatage Unix de la modification (timestamp) | 1663024859 |