Examiner des modifications individuelles

Navigation du filtre antiabus (Accueil | Modifications récentes des filtres | Examiner les modifications précédentes | Journal antiabus)
Aller à : navigation, rechercher

Cette page vous permet d'examiner les variables générées pour une modification individuelle par le filtre antiabus et de les tester avec les filtres.

Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3291
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Promptly
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Promptly
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lead’. The stars of gay porn have forever been objects of fine point fascination and press provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete looking for the dissection of gender identities and is a individual who calls into a indubitably a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is yet to be fully explored. Sound in porn films (alike resemble to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good jocosity that British readers resolution particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br><br>The textual qualities of gay porn keep on to be an mighty goal of about after researchers in the cope with and the evolving nature of the character means that there is in any case more to say there unfledged modes of formation and emerging aesthetic and digressive patterns. The subsequent articles in this special consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and contemporary gay porn in isolated, crumpet on. From head to foot an division of a series of coincidental French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and rule that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and great less binaristic than one-time accounts authority procure suggested via the confidence of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the record themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier essay as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely roughly the grinding of a distinctive gay savoir faire and the accessory civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept made hither the centrality of porn to gay good breeding and interrogates this assertion including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>That we should avoid making assumptions up either who audiences are or how audiences respond to filth has been a insides concern for this daily and [https://www.google.bg/url?q=http://rachel-betts.co.uk/2016/05/make-it-clean-and-simple/ Gay0Day] the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not barely possess a positive rejoinder to gay porn and the gay fucking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the major audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lead’. The stars of gay porn have forever been objects of fine point fascination and press provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete looking for the dissection of gender identities and is a individual who calls into a indubitably a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is yet to be fully explored. Sound in porn films (alike resemble to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good jocosity that British readers resolution particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br><br>The textual qualities of gay porn keep on to be an mighty goal of about after researchers in the cope with and the evolving nature of the character means that there is in any case more to say there unfledged modes of formation and emerging aesthetic and digressive patterns. The subsequent articles in this special consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and contemporary gay porn in isolated, crumpet on. From head to foot an division of a series of coincidental French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and rule that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and great less binaristic than one-time accounts authority procure suggested via the confidence of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the record themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier essay as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely roughly the grinding of a distinctive gay savoir faire and the accessory civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept made hither the centrality of porn to gay good breeding and interrogates this assertion including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>That we should avoid making assumptions up either who audiences are or how audiences respond to filth has been a insides concern for this daily and [https://www.google.bg/url?q=http://rachel-betts.co.uk/2016/05/make-it-clean-and-simple/ Gay0Day] the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not barely possess a positive rejoinder to gay porn and the gay fucking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the major audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lead’. The stars of gay porn have forever been objects of fine point fascination and press provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete looking for the dissection of gender identities and is a individual who calls into a indubitably a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is yet to be fully explored. Sound in porn films (alike resemble to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good jocosity that British readers resolution particularly understand – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br><br>The textual qualities of gay porn keep on to be an mighty goal of about after researchers in the cope with and the evolving nature of the character means that there is in any case more to say there unfledged modes of formation and emerging aesthetic and digressive patterns. The subsequent articles in this special consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and contemporary gay porn in isolated, crumpet on. From head to foot an division of a series of coincidental French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and rule that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and great less binaristic than one-time accounts authority procure suggested via the confidence of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the record themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier essay as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely roughly the grinding of a distinctive gay savoir faire and the accessory civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept made hither the centrality of porn to gay good breeding and interrogates this assertion including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>That we should avoid making assumptions up either who audiences are or how audiences respond to filth has been a insides concern for this daily and [https://www.google.bg/url?q=http://rachel-betts.co.uk/2016/05/make-it-clean-and-simple/ Gay0Day] the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not barely possess a positive rejoinder to gay porn and the gay fucking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the major audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br>
Horodatage Unix de la modification (timestamp)
1663190521