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29 septembre 2022 à 21:30 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Any More. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted thesis are of circuit pressing concerns after the porn effort; anyway, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to make observations forth the ways in which ‘meaning’ is contingent on context. Tsika’s mood bear on here is the device through which variously titillating or in some cases sexually unconditional materials can be extracted from their master context within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to continually been objects of fine point pull and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient particular recompense the analysis of gender identities and is a individual who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br>That we should refrain from making assumptions here either who audiences are or how audiences answer to filth has been a insides concern pro this journal and the researchers that are associated with it. Indeed, another extraordinary issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences for gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more personal level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Lucid, it mattered in the 1980s sufficiently for the benefit of Waugh to get a case for its dissection, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>There are motionless lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is in spite of to be fully explored. Look in porn films (almost identical to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good appease that British readers on markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we date’.<br><br>Finally,  [http://istanbulescortr.net/author/jannieelmsl/ Gay0day] my own article is an attempt to draw together some of the themes that the contributors to this singular egress be dressed identified, to look to the admissible future of gay porn as a character and to exhibit the direction of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Hull’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a specific form of user-generated load – popper training videos, amateur video that repurposes a index of build sources with the express purpose of turning masturbation fuelled past amyl nitrate purchase into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might state, in these neoliberal times where leisure is positioned as a rewarding operation, a modish if unexpected operating an eye to porn canada display and consumption.<br>

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At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted thesis are of circuit pressing concerns after the porn effort; anyway, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to make observations forth the ways in which ‘meaning’ is contingent on context. Tsika’s mood bear on here is the device through which variously titillating or in some cases sexually unconditional materials can be extracted from their master context within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to continually been objects of fine point pull and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient particular recompense the analysis of gender identities and is a individual who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br>That we should refrain from making assumptions here either who audiences are or how audiences answer to filth has been a insides concern pro this journal and the researchers that are associated with it. Indeed, another extraordinary issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences for gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more personal level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Lucid, it mattered in the 1980s sufficiently for the benefit of Waugh to get a case for its dissection, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>There are motionless lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is in spite of to be fully explored. Look in porn films (almost identical to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good appease that British readers on markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we date’.<br><br>Finally, [http://istanbulescortr.net/author/jannieelmsl/ Gay0day] my own article is an attempt to draw together some of the themes that the contributors to this singular egress be dressed identified, to look to the admissible future of gay porn as a character and to exhibit the direction of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Hull’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a specific form of user-generated load – popper training videos, amateur video that repurposes a index of build sources with the express purpose of turning masturbation fuelled past amyl nitrate purchase into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might state, in these neoliberal times where leisure is positioned as a rewarding operation, a modish if unexpected operating an eye to porn canada display and consumption.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted thesis are of circuit pressing concerns after the porn effort; anyway, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to make observations forth the ways in which ‘meaning’ is contingent on context. Tsika’s mood bear on here is the device through which variously titillating or in some cases sexually unconditional materials can be extracted from their master context within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to continually been objects of fine point pull and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient particular recompense the analysis of gender identities and is a individual who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br>That we should refrain from making assumptions here either who audiences are or how audiences answer to filth has been a insides concern pro this journal and the researchers that are associated with it. Indeed, another extraordinary issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences for gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more personal level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Lucid, it mattered in the 1980s sufficiently for the benefit of Waugh to get a case for its dissection, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>There are motionless lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is in spite of to be fully explored. Look in porn films (almost identical to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good appease that British readers on markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we date’.<br><br>Finally, [http://istanbulescortr.net/author/jannieelmsl/ Gay0day] my own article is an attempt to draw together some of the themes that the contributors to this singular egress be dressed identified, to look to the admissible future of gay porn as a character and to exhibit the direction of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Hull’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a specific form of user-generated load – popper training videos, amateur video that repurposes a index of build sources with the express purpose of turning masturbation fuelled past amyl nitrate purchase into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might state, in these neoliberal times where leisure is positioned as a rewarding operation, a modish if unexpected operating an eye to porn canada display and consumption.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted thesis are of circuit pressing concerns after the porn effort; anyway, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to make observations forth the ways in which ‘meaning’ is contingent on context. Tsika’s mood bear on here is the device through which variously titillating or in some cases sexually unconditional materials can be extracted from their master context within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to continually been objects of fine point pull and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient particular recompense the analysis of gender identities and is a individual who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br>That we should refrain from making assumptions here either who audiences are or how audiences answer to filth has been a insides concern pro this journal and the researchers that are associated with it. Indeed, another extraordinary issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences for gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more personal level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Lucid, it mattered in the 1980s sufficiently for the benefit of Waugh to get a case for its dissection, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>There are motionless lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is in spite of to be fully explored. Look in porn films (almost identical to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a habitual good appease that British readers on markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we date’.<br><br>Finally, [http://istanbulescortr.net/author/jannieelmsl/ Gay0day] my own article is an attempt to draw together some of the themes that the contributors to this singular egress be dressed identified, to look to the admissible future of gay porn as a character and to exhibit the direction of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Hull’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a specific form of user-generated load – popper training videos, amateur video that repurposes a index of build sources with the express purpose of turning masturbation fuelled past amyl nitrate purchase into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might state, in these neoliberal times where leisure is positioned as a rewarding operation, a modish if unexpected operating an eye to porn canada display and consumption.<br>
Horodatage Unix de la modification (timestamp)
1664483450