| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The intention of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a disparaging framework to discuss gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special pay-off is deliberate. I wanted to taking the have of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars preoccupy with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be given both as a response to Waugh’s earlier go as famously as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely far the erosion of a distinctive gay erudition and the accessory factious implications of gay assimilation. In this article he ages again draws our acclaim to David Halperin’s (2014) recently мейд prominence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the proposal that many others give birth to made back the centrality of porn to gay culture and interrogates this representation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The starting unimportant looking for this route is naturally a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Familiar Revisit’ that his effort was by no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared past numberless others) an especially substantial intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that lead to the putting out of his essay in Rise Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These include a systematized rubric instead of interpretation and the notably apposite (and in diverse regards divinatory) criticism that gay porn does not eke out a living in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted thesis are of course urgent concerns after the porn effort; in any case, Tsika identifies a somewhat more unambiguous object of study in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s key be germane to here is the workings throughout which variously erotic or in some cases sexually explicit materials can be extracted from their master framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the convert of appropriation and repackaging that takes point here reduces the political and cultural power of the queer provenance texts that are repurposed.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn give birth to continually been objects of pernickety magic and [https://www.elite-privatejet-service.com/2016/01/24/test/ Gay0day] press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual through despite the breakdown of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>The intention of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a disparaging framework to discuss gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special pay-off is deliberate. I wanted to taking the have of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars preoccupy with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be given both as a response to Waugh’s earlier go as famously as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely far the erosion of a distinctive gay erudition and the accessory factious implications of gay assimilation. In this article he ages again draws our acclaim to David Halperin’s (2014) recently мейд prominence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the proposal that many others give birth to made back the centrality of porn to gay culture and interrogates this representation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The starting unimportant looking for this route is naturally a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Familiar Revisit’ that his effort was by no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared past numberless others) an especially substantial intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that lead to the putting out of his essay in Rise Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These include a systematized rubric instead of interpretation and the notably apposite (and in diverse regards divinatory) criticism that gay porn does not eke out a living in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted thesis are of course urgent concerns after the porn effort; in any case, Tsika identifies a somewhat more unambiguous object of study in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s key be germane to here is the workings throughout which variously erotic or in some cases sexually explicit materials can be extracted from their master framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the convert of appropriation and repackaging that takes point here reduces the political and cultural power of the queer provenance texts that are repurposed.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn give birth to continually been objects of pernickety magic and [https://www.elite-privatejet-service.com/2016/01/24/test/ Gay0day] press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual through despite the breakdown of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The intention of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a disparaging framework to discuss gay porn, where the intellectual assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special pay-off is deliberate. I wanted to taking the have of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of scan that scholars preoccupy with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be given both as a response to Waugh’s earlier go as famously as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely far the erosion of a distinctive gay erudition and the accessory factious implications of gay assimilation. In this article he ages again draws our acclaim to David Halperin’s (2014) recently мейд prominence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the proposal that many others give birth to made back the centrality of porn to gay culture and interrogates this representation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The starting unimportant looking for this route is naturally a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a Familiar Revisit’ that his effort was by no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared past numberless others) an especially substantial intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that lead to the putting out of his essay in Rise Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These include a systematized rubric instead of interpretation and the notably apposite (and in diverse regards divinatory) criticism that gay porn does not eke out a living in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted thesis are of course urgent concerns after the porn effort; in any case, Tsika identifies a somewhat more unambiguous object of study in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s key be germane to here is the workings throughout which variously erotic or in some cases sexually explicit materials can be extracted from their master framework within sunken and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the convert of appropriation and repackaging that takes point here reduces the political and cultural power of the queer provenance texts that are repurposed.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn give birth to continually been objects of pernickety magic and [https://www.elite-privatejet-service.com/2016/01/24/test/ Gay0day] press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual through despite the breakdown of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br>
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Horodatage Unix de la modification (timestamp) | 1663713391 |
