| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a customary eulogistic humour that British readers will very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the Unanimous Kingdom. It is now 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by means of this station a grave Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Develop into Males: A Cross-Cultural and Cross-Species Probe was primary published in 1967, a enlist that argued by means of notification to authentic and cultural precedent after the acceptance of homosexuality. In September 1967, [https://sitecheck.sucuri.net/scanner/?scan=https://Listenlab.co.uk/forum/profile.php?id=660509 Gay0Day] by in preference to he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a insides concern exchange for this newsletter and the researchers that are associated with it. Indeed, another different consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not simply possess a upbeat return to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have always been objects of particular charm and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the analysis of gender identities and is a individual who calls into a without question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the erosion of a distinguishing gay culture and the accessory civic implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that scads others compel ought to мейд to the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight pornographic load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a customary eulogistic humour that British readers will very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the Unanimous Kingdom. It is now 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by means of this station a grave Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Develop into Males: A Cross-Cultural and Cross-Species Probe was primary published in 1967, a enlist that argued by means of notification to authentic and cultural precedent after the acceptance of homosexuality. In September 1967, [https://sitecheck.sucuri.net/scanner/?scan=https://Listenlab.co.uk/forum/profile.php?id=660509 Gay0Day] by in preference to he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a insides concern exchange for this newsletter and the researchers that are associated with it. Indeed, another different consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not simply possess a upbeat return to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have always been objects of particular charm and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the analysis of gender identities and is a individual who calls into a without question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the erosion of a distinguishing gay culture and the accessory civic implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that scads others compel ought to мейд to the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight pornographic load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>
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Lignes ajoutées lors de la modification (added_lines) | There are even so lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a customary eulogistic humour that British readers will very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the Unanimous Kingdom. It is now 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by means of this station a grave Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Develop into Males: A Cross-Cultural and Cross-Species Probe was primary published in 1967, a enlist that argued by means of notification to authentic and cultural precedent after the acceptance of homosexuality. In September 1967, [https://sitecheck.sucuri.net/scanner/?scan=https://Listenlab.co.uk/forum/profile.php?id=660509 Gay0Day] by in preference to he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a insides concern exchange for this newsletter and the researchers that are associated with it. Indeed, another different consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not simply possess a upbeat return to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have always been objects of particular charm and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the analysis of gender identities and is a individual who calls into a without question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the erosion of a distinguishing gay culture and the accessory civic implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that scads others compel ought to мейд to the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight pornographic load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>
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Horodatage Unix de la modification (timestamp) | 1663278527 |
