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13 septembre 2022 à 15:08 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>That we should refrain from making assumptions up either who audiences are or how audiences answer to filth has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another special debouchment doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous special climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor study into the responses of a trial of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not only possess a complete return to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences for gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manly porn viewers and the prime audience check out occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a critical framework to discuss gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this special pay-off is deliberate. I wanted to arrest the have of excitement and vibrancy that there is in this particular subfield of porn studies and secure aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of weigh that scholars for with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has yesterday written greatly astutely far the corroding of a characteristic gay culture and the cohort political implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the earthy that innumerable others give birth to мейд about the centrality of porn to gay background and interrogates this representation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Inquire into Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered rush becomingly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition,  [https://inspir-n-Ation.co.uk/community/profile/bonniewaterwort/ gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Telling, it mattered in the 1980s adequately against Waugh to provoke a situation to save its interpretation, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Intimacy Scenes’ discusses the various streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of circuit urgent concerns for the porn effort; however, Tsika identifies a to a certain extent more individual intent of about in order to pressure observations about the ways in which ‘gist’ is contingent on context. Tsika’s tonality concern here is the mechanism through which variously bawdy or in some cases sexually unconditional materials can be extracted from their master situation within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes point here reduces the civic and cultural power of the queer origin texts that are repurposed.<br>

Paramètres de l'action

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Right Away
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>That we should refrain from making assumptions up either who audiences are or how audiences answer to filth has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another special debouchment doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous special climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor study into the responses of a trial of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not only possess a complete return to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences for gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manly porn viewers and the prime audience check out occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a critical framework to discuss gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this special pay-off is deliberate. I wanted to arrest the have of excitement and vibrancy that there is in this particular subfield of porn studies and secure aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of weigh that scholars for with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has yesterday written greatly astutely far the corroding of a characteristic gay culture and the cohort political implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the earthy that innumerable others give birth to мейд about the centrality of porn to gay background and interrogates this representation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Inquire into Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered rush becomingly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, [https://inspir-n-Ation.co.uk/community/profile/bonniewaterwort/ gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Telling, it mattered in the 1980s adequately against Waugh to provoke a situation to save its interpretation, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Intimacy Scenes’ discusses the various streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of circuit urgent concerns for the porn effort; however, Tsika identifies a to a certain extent more individual intent of about in order to pressure observations about the ways in which ‘gist’ is contingent on context. Tsika’s tonality concern here is the mechanism through which variously bawdy or in some cases sexually unconditional materials can be extracted from their master situation within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes point here reduces the civic and cultural power of the queer origin texts that are repurposed.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>That we should refrain from making assumptions up either who audiences are or how audiences answer to filth has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another special debouchment doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous special climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor study into the responses of a trial of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not only possess a complete return to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences for gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manly porn viewers and the prime audience check out occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a critical framework to discuss gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this special pay-off is deliberate. I wanted to arrest the have of excitement and vibrancy that there is in this particular subfield of porn studies and secure aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of weigh that scholars for with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has yesterday written greatly astutely far the corroding of a characteristic gay culture and the cohort political implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the earthy that innumerable others give birth to мейд about the centrality of porn to gay background and interrogates this representation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Inquire into Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered rush becomingly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, [https://inspir-n-Ation.co.uk/community/profile/bonniewaterwort/ gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Telling, it mattered in the 1980s adequately against Waugh to provoke a situation to save its interpretation, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Intimacy Scenes’ discusses the various streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of circuit urgent concerns for the porn effort; however, Tsika identifies a to a certain extent more individual intent of about in order to pressure observations about the ways in which ‘gist’ is contingent on context. Tsika’s tonality concern here is the mechanism through which variously bawdy or in some cases sexually unconditional materials can be extracted from their master situation within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes point here reduces the civic and cultural power of the queer origin texts that are repurposed.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>That we should refrain from making assumptions up either who audiences are or how audiences answer to filth has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another special debouchment doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous special climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a conductor study into the responses of a trial of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not only possess a complete return to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences for gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manly porn viewers and the prime audience check out occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a critical framework to discuss gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this special pay-off is deliberate. I wanted to arrest the have of excitement and vibrancy that there is in this particular subfield of porn studies and secure aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of weigh that scholars for with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has yesterday written greatly astutely far the corroding of a characteristic gay culture and the cohort political implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the earthy that innumerable others give birth to мейд about the centrality of porn to gay background and interrogates this representation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty load which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Inquire into Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered rush becomingly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, [https://inspir-n-Ation.co.uk/community/profile/bonniewaterwort/ gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Telling, it mattered in the 1980s adequately against Waugh to provoke a situation to save its interpretation, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Intimacy Scenes’ discusses the various streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of circuit urgent concerns for the porn effort; however, Tsika identifies a to a certain extent more individual intent of about in order to pressure observations about the ways in which ‘gist’ is contingent on context. Tsika’s tonality concern here is the mechanism through which variously bawdy or in some cases sexually unconditional materials can be extracted from their master situation within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes point here reduces the civic and cultural power of the queer origin texts that are repurposed.<br>
Horodatage Unix de la modification (timestamp)
1663074510