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Si la modification est marquée comme mineure ou non (minor_edit) | |
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Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The textual qualities of gay porn pick up to be an mighty goal of study in compensation researchers in the catch and the evolving nature of the genre means that there is in any case more to respond concerning advanced modes of origination and emerging aesthetic and digressive patterns. The subsequent articles in this concerted originate all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Into done with an division of a grade of coincidental French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also become an orthodoxy can as a matter of course account for the enactments of erotic power and rule that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than one-time accounts might have suggested via the confidence of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>Finally, my own article is an crack to draw together some of the themes that the contributors to this singular issue have identified, to look to the achievable approaching of gay porn as a character and to exhibit the way of the next stage of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Pornographic Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In marked, my destination of cramming is a spelt form of user-generated size – popper training videos, bungling video that repurposes a travel over of initiate sources with the straightforward consider of turning masturbation fuelled at near amyl nitrate use into an endeavour that strength be regarded as ‘bountiful respite’. I argue that these videos might indicate, in these neoliberal times where leisure is positioned as a productive pursuit, a modish if unexpected administering for porn creation and consumption.<br>At a yet more physical with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a probing trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s enough for the benefit of Waugh to provoke a invalid destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>That we should shun making assumptions about either who audiences are or how audiences respond to filth has been a centre interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not only have a upbeat response to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>The year 2017 marks a date that without hyperbole can be described as a turning-point in compensation gay men in the Unanimous Kingdom. It is under 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, [https://sidex.ru/extension/stat_ym_p.php?redir=https%3A%2F%2FRachel-Betts.Co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F&hash=177529 Gay0Day] sooner than this station a major Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a enlist that argued sooner than hint to historical and cultural example after the acceptance of homosexuality. In September 1967, soon before he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Pictorial, marking his entree into the crowd of show-business via gay porn’s backdoor.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>The textual qualities of gay porn pick up to be an mighty goal of study in compensation researchers in the catch and the evolving nature of the genre means that there is in any case more to respond concerning advanced modes of origination and emerging aesthetic and digressive patterns. The subsequent articles in this concerted originate all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Into done with an division of a grade of coincidental French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also become an orthodoxy can as a matter of course account for the enactments of erotic power and rule that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than one-time accounts might have suggested via the confidence of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>Finally, my own article is an crack to draw together some of the themes that the contributors to this singular issue have identified, to look to the achievable approaching of gay porn as a character and to exhibit the way of the next stage of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Pornographic Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In marked, my destination of cramming is a spelt form of user-generated size – popper training videos, bungling video that repurposes a travel over of initiate sources with the straightforward consider of turning masturbation fuelled at near amyl nitrate use into an endeavour that strength be regarded as ‘bountiful respite’. I argue that these videos might indicate, in these neoliberal times where leisure is positioned as a productive pursuit, a modish if unexpected administering for porn creation and consumption.<br>At a yet more physical with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a probing trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s enough for the benefit of Waugh to provoke a invalid destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>That we should shun making assumptions about either who audiences are or how audiences respond to filth has been a centre interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not only have a upbeat response to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>The year 2017 marks a date that without hyperbole can be described as a turning-point in compensation gay men in the Unanimous Kingdom. It is under 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, [https://sidex.ru/extension/stat_ym_p.php?redir=https%3A%2F%2FRachel-Betts.Co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F&hash=177529 Gay0Day] sooner than this station a major Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a enlist that argued sooner than hint to historical and cultural example after the acceptance of homosexuality. In September 1967, soon before he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Pictorial, marking his entree into the crowd of show-business via gay porn’s backdoor.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The textual qualities of gay porn pick up to be an mighty goal of study in compensation researchers in the catch and the evolving nature of the genre means that there is in any case more to respond concerning advanced modes of origination and emerging aesthetic and digressive patterns. The subsequent articles in this concerted originate all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and contemporary gay porn in individual, chief honcho on. Into done with an division of a grade of coincidental French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘comfort’ that has also become an orthodoxy can as a matter of course account for the enactments of erotic power and rule that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than one-time accounts might have suggested via the confidence of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>Finally, my own article is an crack to draw together some of the themes that the contributors to this singular issue have identified, to look to the achievable approaching of gay porn as a character and to exhibit the way of the next stage of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Pornographic Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In marked, my destination of cramming is a spelt form of user-generated size – popper training videos, bungling video that repurposes a travel over of initiate sources with the straightforward consider of turning masturbation fuelled at near amyl nitrate use into an endeavour that strength be regarded as ‘bountiful respite’. I argue that these videos might indicate, in these neoliberal times where leisure is positioned as a productive pursuit, a modish if unexpected administering for porn creation and consumption.<br>At a yet more physical with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a probing trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s enough for the benefit of Waugh to provoke a invalid destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>That we should shun making assumptions about either who audiences are or how audiences respond to filth has been a centre interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not only have a upbeat response to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>The year 2017 marks a date that without hyperbole can be described as a turning-point in compensation gay men in the Unanimous Kingdom. It is under 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, [https://sidex.ru/extension/stat_ym_p.php?redir=https%3A%2F%2FRachel-Betts.Co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F&hash=177529 Gay0Day] sooner than this station a major Hollywood eminent, was to depict a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a enlist that argued sooner than hint to historical and cultural example after the acceptance of homosexuality. In September 1967, soon before he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Pictorial, marking his entree into the crowd of show-business via gay porn’s backdoor.<br>
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Horodatage Unix de la modification (timestamp) | 1663070342 |
