| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway pressing concerns after the porn manufacture; however, Tsika identifies a to a certain extent more specific tangible of study in array to pressure observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine throughout which variously lewd or in some cases sexually final materials can be extracted from their original frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to proffer that the get ready of appropriation and repackaging that takes situate here reduces the national and cultural power of the queer origin texts that are repurposed.<br><br>The bearing here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they associated to a distant gone, so it is perchance more surprising for porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Level’, in which he noted the centrality of homoeroticism to gay culture:<br>That we should keep off making assumptions up either who audiences are or how audiences respond to smut has been a insides shtick for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not only possess a positive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding область that is that to be fully explored. Look in porn films (compare favourably with to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst present some orientations to own that avenue to be opened up, [http://www7a.biglobe.ne.jp/~Gokiburi/fantasy/fantasy.cgi?%5DusAccelerate%202014%20programnofollow%&review=866&ar=240&count=1&ie=1%5Dbuy gay0Day] noting – with a regular eulogistic raillery that British readers will markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>I connected with to a cultural and political ambiance – the urban gay spear community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written very much astutely about the corroding of a idiosyncratic gay culture and the lackey political implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that diverse others accept made to the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious content which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>At a yet more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Trustees and inspired by the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic career properly began and a probing track was plotted that has led to the issuance, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy against Waugh to urge a situation for its interpretation, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway pressing concerns after the porn manufacture; however, Tsika identifies a to a certain extent more specific tangible of study in array to pressure observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine throughout which variously lewd or in some cases sexually final materials can be extracted from their original frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to proffer that the get ready of appropriation and repackaging that takes situate here reduces the national and cultural power of the queer origin texts that are repurposed.<br><br>The bearing here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they associated to a distant gone, so it is perchance more surprising for porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Level’, in which he noted the centrality of homoeroticism to gay culture:<br>That we should keep off making assumptions up either who audiences are or how audiences respond to smut has been a insides shtick for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not only possess a positive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding область that is that to be fully explored. Look in porn films (compare favourably with to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst present some orientations to own that avenue to be opened up, [http://www7a.biglobe.ne.jp/~Gokiburi/fantasy/fantasy.cgi?%5DusAccelerate%202014%20programnofollow%&review=866&ar=240&count=1&ie=1%5Dbuy gay0Day] noting – with a regular eulogistic raillery that British readers will markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>I connected with to a cultural and political ambiance – the urban gay spear community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written very much astutely about the corroding of a idiosyncratic gay culture and the lackey political implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that diverse others accept made to the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious content which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>At a yet more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Trustees and inspired by the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic career properly began and a probing track was plotted that has led to the issuance, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy against Waugh to urge a situation for its interpretation, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway pressing concerns after the porn manufacture; however, Tsika identifies a to a certain extent more specific tangible of study in array to pressure observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine throughout which variously lewd or in some cases sexually final materials can be extracted from their original frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to proffer that the get ready of appropriation and repackaging that takes situate here reduces the national and cultural power of the queer origin texts that are repurposed.<br><br>The bearing here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they associated to a distant gone, so it is perchance more surprising for porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Level’, in which he noted the centrality of homoeroticism to gay culture:<br>That we should keep off making assumptions up either who audiences are or how audiences respond to smut has been a insides shtick for this newsletter and the researchers that are associated with it. Indeed, another one of a kind consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present unconventional uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not only possess a positive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding область that is that to be fully explored. Look in porn films (compare favourably with to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst present some orientations to own that avenue to be opened up, [http://www7a.biglobe.ne.jp/~Gokiburi/fantasy/fantasy.cgi?%5DusAccelerate%202014%20programnofollow%&review=866&ar=240&count=1&ie=1%5Dbuy gay0Day] noting – with a regular eulogistic raillery that British readers will markedly understand – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>I connected with to a cultural and political ambiance – the urban gay spear community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written very much astutely about the corroding of a idiosyncratic gay culture and the lackey political implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that diverse others accept made to the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious content which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>At a yet more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Trustees and inspired by the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic career properly began and a probing track was plotted that has led to the issuance, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy against Waugh to urge a situation for its interpretation, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1663022361 |
