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Variables générées pour cette modification
| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
|
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of headway forceful concerns in place of the porn labour; however, Tsika identifies a to a certain extent more individual intent of study in array to energetic observations forth the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the device through which variously titillating or in some cases sexually final materials can be extracted from their master context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the convert of appropriation and repackaging that takes place here reduces the national and cultural power of the remarkable origin texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written entirely astutely roughly the grinding of a distinguishing gay culture and the cohort civic implications of gay assimilation. In this article he ages again draws our prominence to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the urging that scads others give birth to made back the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to pornography has been a gist concern representing this journal and the researchers that are associated with it. Exactly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous odd big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot study into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not simply obtain a complete rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience fact-finding layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>A kindliness of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of express fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a compass of levels and [https://toolbarqueries.Google.cd/url?q=https://Forum.Reachsa.com/community/profile/barb73109314936/ Gay0Day] includes his foray into gay porn. Crocker is an mainly useful unique for the breakdown of gender identities and is a figure who calls into a without question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers will notably appreciate – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of headway forceful concerns in place of the porn labour; however, Tsika identifies a to a certain extent more individual intent of study in array to energetic observations forth the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the device through which variously titillating or in some cases sexually final materials can be extracted from their master context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the convert of appropriation and repackaging that takes place here reduces the national and cultural power of the remarkable origin texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written entirely astutely roughly the grinding of a distinguishing gay culture and the cohort civic implications of gay assimilation. In this article he ages again draws our prominence to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the urging that scads others give birth to made back the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to pornography has been a gist concern representing this journal and the researchers that are associated with it. Exactly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous odd big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot study into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not simply obtain a complete rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience fact-finding layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>A kindliness of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of express fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a compass of levels and [https://toolbarqueries.Google.cd/url?q=https://Forum.Reachsa.com/community/profile/barb73109314936/ Gay0Day] includes his foray into gay porn. Crocker is an mainly useful unique for the breakdown of gender identities and is a figure who calls into a without question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers will notably appreciate – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of headway forceful concerns in place of the porn labour; however, Tsika identifies a to a certain extent more individual intent of study in array to energetic observations forth the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the device through which variously titillating or in some cases sexually final materials can be extracted from their master context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the convert of appropriation and repackaging that takes place here reduces the national and cultural power of the remarkable origin texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as proficiently as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written entirely astutely roughly the grinding of a distinguishing gay culture and the cohort civic implications of gay assimilation. In this article he ages again draws our prominence to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the urging that scads others give birth to made back the centrality of porn to gay culture and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious load which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>That we should shun making assumptions here either who audiences are or how audiences respond to pornography has been a gist concern representing this journal and the researchers that are associated with it. Exactly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous odd big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot study into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not simply obtain a complete rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the prime audience fact-finding layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to explode stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>A kindliness of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of express fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a compass of levels and [https://toolbarqueries.Google.cd/url?q=https://Forum.Reachsa.com/community/profile/barb73109314936/ Gay0Day] includes his foray into gay porn. Crocker is an mainly useful unique for the breakdown of gender identities and is a figure who calls into a without question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Shape in porn films (compare favourably with to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to tolerate that avenue to be opened up, noting – with a habitual good jocosity that British readers will notably appreciate – that gay porn ‘relies on the pants we heed as much as the pants we date’.<br>
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Horodatage Unix de la modification (timestamp) | 1665371561 |