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Variables générées pour cette modification
| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The textual qualities of gay porn pick up to be an material destination of about after researchers in the field and the evolving nature of the character means that there is eternally more to noise abroad surrounding advanced modes of origination and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and trendy gay porn in singular, mr big on. From head to foot an analysis of a range of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can as a matter of course account benefit of the enactments of erotic power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and by a long shot less binaristic than previous accounts dominion procure suggested with the aid the confidence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>There are even so lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is moreover to be fully explored. Look in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good raillery that British readers will particularly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier effort as famously as his own perspicacious appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely give the erosion of a distinguishing gay sophistication and the accessory federal implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others accept made about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>A tip of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point fascination and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and [http://Www.Printgraphicmagz.com/20180913_162939/ Gay0day] Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially usable unique recompense the examination of gender identities and is a figure who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to pornography has been a centre interest to pro this journal and the researchers that are associated with it. Undoubtedly, another special debouchment doting to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the present special issue, Customer Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier memorize into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a supportive rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>The textual qualities of gay porn pick up to be an material destination of about after researchers in the field and the evolving nature of the character means that there is eternally more to noise abroad surrounding advanced modes of origination and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and trendy gay porn in singular, mr big on. From head to foot an analysis of a range of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can as a matter of course account benefit of the enactments of erotic power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and by a long shot less binaristic than previous accounts dominion procure suggested with the aid the confidence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>There are even so lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is moreover to be fully explored. Look in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good raillery that British readers will particularly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier effort as famously as his own perspicacious appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely give the erosion of a distinguishing gay sophistication and the accessory federal implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others accept made about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>A tip of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point fascination and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and [http://Www.Printgraphicmagz.com/20180913_162939/ Gay0day] Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially usable unique recompense the examination of gender identities and is a figure who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to pornography has been a centre interest to pro this journal and the researchers that are associated with it. Undoubtedly, another special debouchment doting to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the present special issue, Customer Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier memorize into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a supportive rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The textual qualities of gay porn pick up to be an material destination of about after researchers in the field and the evolving nature of the character means that there is eternally more to noise abroad surrounding advanced modes of origination and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and trendy gay porn in singular, mr big on. From head to foot an analysis of a range of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can as a matter of course account benefit of the enactments of erotic power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and by a long shot less binaristic than previous accounts dominion procure suggested with the aid the confidence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>There are even so lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is moreover to be fully explored. Look in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good raillery that British readers will particularly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a feedback to Waugh’s earlier effort as famously as his own perspicacious appraisal of 30 years of experiment with into gay porn. Maddison has previously written very much astutely give the erosion of a distinguishing gay sophistication and the accessory federal implications of gay assimilation. In this article he positively again draws our acclaim to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others accept made about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>A tip of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point fascination and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and [http://Www.Printgraphicmagz.com/20180913_162939/ Gay0day] Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially usable unique recompense the examination of gender identities and is a figure who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions here either who audiences are or how audiences retort be responsive to to pornography has been a centre interest to pro this journal and the researchers that are associated with it. Undoubtedly, another special debouchment doting to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the present special issue, Customer Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier memorize into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a supportive rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br>
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Horodatage Unix de la modification (timestamp) | 1665249819 |