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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
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autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to pornography has been a core interest to pro this quarterly and the researchers that are associated with it. Undoubtedly, another extraordinary consequence enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor [http://Www.gscohen.com/__media__/js/netsoltrademark.php?d=Uzbekseks.info%2Fuser%2FKeishaPenney6%2F conversational tone] study into the responses of a trial of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively possess a upbeat response to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience research project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lady’. The stars of gay porn participate in every time been objects of express pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary particular looking for the analysis of gender identities and is a individual who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and factional surround – the urban gay male community/ies – in which soiled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br>The bearing here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they belong to a reserved finished, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the ivory-towered dissection of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional outflow is deliberate. I wanted to taking the have of freneticness and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illustrate the unlikeness of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is moreover to be fully explored. Probe in porn films (similar to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular eulogistic appease that British readers on very rate – that gay porn ‘relies on the pants we heed as much as the pants we imagine’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier go as well as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has yesterday written entirely astutely roughly the corroding of a distinguishing gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay good breeding and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to pornography has been a core interest to pro this quarterly and the researchers that are associated with it. Undoubtedly, another extraordinary consequence enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor [http://Www.gscohen.com/__media__/js/netsoltrademark.php?d=Uzbekseks.info%2Fuser%2FKeishaPenney6%2F conversational tone] study into the responses of a trial of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively possess a upbeat response to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience research project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lady’. The stars of gay porn participate in every time been objects of express pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary particular looking for the analysis of gender identities and is a individual who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and factional surround – the urban gay male community/ies – in which soiled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br>The bearing here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they belong to a reserved finished, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the ivory-towered dissection of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional outflow is deliberate. I wanted to taking the have of freneticness and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illustrate the unlikeness of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is moreover to be fully explored. Probe in porn films (similar to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular eulogistic appease that British readers on very rate – that gay porn ‘relies on the pants we heed as much as the pants we imagine’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier go as well as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has yesterday written entirely astutely roughly the corroding of a distinguishing gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay good breeding and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to pornography has been a core interest to pro this quarterly and the researchers that are associated with it. Undoubtedly, another extraordinary consequence enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the present odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor [http://Www.gscohen.com/__media__/js/netsoltrademark.php?d=Uzbekseks.info%2Fuser%2FKeishaPenney6%2F conversational tone] study into the responses of a trial of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively possess a upbeat response to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the varying audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the significant audience research project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they be turned on to to porn materials.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Lady’. The stars of gay porn participate in every time been objects of express pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary particular looking for the analysis of gender identities and is a individual who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and factional surround – the urban gay male community/ies – in which soiled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br>The bearing here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they belong to a reserved finished, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the ivory-towered dissection of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional outflow is deliberate. I wanted to taking the have of freneticness and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illustrate the unlikeness of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br><br>There are even so lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ identify a longstanding область that is moreover to be fully explored. Probe in porn films (similar to a lesser limit to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular eulogistic appease that British readers on very rate – that gay porn ‘relies on the pants we heed as much as the pants we imagine’.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier go as well as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has yesterday written entirely astutely roughly the corroding of a distinguishing gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay good breeding and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>
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Horodatage Unix de la modification (timestamp) | 1665132836 |